shining a light on the shadowy fine art industry
Installation view of "Drawings by Sculptors" at Helena Anrather gallery. Courtesy of Helena Anrather.
This week, collapsing old categories and raising new prospects…
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Anna Lucia, Draft Output (2023). Courtesy of the artist.
This week, more proof that not all art is created equal…
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Jura Shust, Walking, knocking on the roots, and shaking the spruce paws #7 (2023). Photo by installshots.art. Courtesy of Management.
This week, back on the A.I. beat…
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A Triceratops skull on view at David Aaron gallery’s booth at Masterpiece London 2022.
Photo by CW136. Courtesy of Wikimedia Commons via Creative Commons License.
This week, assessing the damage…
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Capitol Hill at dusk. Photo by Jesse Collins. Courtesy of Wikimedia Commons via Creative Commons License.
This week, on new art’s chances of attracting new scrutiny…
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Installation view of Guillaume Bijl's "Fortune Teller" (2021). Courtesy of Meredith Rosen Gallery.
Another trip around the sun begins with a Gray Market tradition.
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Photo by Four Bricks Tall. Courtesy of Flickr via Creative Commons License.
‘Tis the season once again for candy canes, hot drinks in cold weather, holiday cheer… and a heaping helping of accountability for the Gray Market.
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Visitors inside Random International’s Living Room (2022). Photo by Esteban Schunemann. Courtesy of Random International and Aorist.
This week, a new hybrid in a field that’s grown old early…
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Users engage with artist Carla Gannis's augmented-reality work Welcome to the wwwunderkammer (2022), the first of PAMM's New Realities commissions. Photo: Lazaro Llanes. Courtesy Pérez Art Museum Miami.
This week, expanding the aperture…
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The merch-laden pool at the rooftop launch event for Arcual, the new blockchain-based transaction platform from MCH Group, the Luma Foundation, and BCG Digital Ventures, at Art Basel Miami Beach 2022. Photo by the Gray Market.
This week, on building and destroying…
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